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2. |
Beauty In The Ghost
03:48
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LEADEN ECHO
How to kéep—is there ány any, is there none such, nowhere known some, bow or brooch or braid or brace, láce, latch or catch or key to keep
Back beauty, keep it, beauty, beauty, beauty,... from vanishing away?
Ó is there no frowning of these wrinkles, rankèd rinkles deep,
Dówn? no waving off of these most mournful messengers, still messengers, sad and stealing messengers of grey?
No there's none, there's none, O no there's none,
Nor can you long be, what you now are, called fair,
Do what you may do, what, do what you may,
And wisdom is early to despair:
Be beginning; since, no, nothing can be done
To keep at bay
Age and age's evils, hoar hair,
Ruck and wrinkle, drooping, dying, death's worst, winding sheets, tombs and worms and tumbling to decay;
So be beginning, be beginning to despair.
O there's none; no no no there's none:
Be beginning to despair, to despair,
Despair, despair, despair, despair.
GOLDEN ECHO
Spare!
There ís one, yes I have one (Hush there!);
Only not within seeing of the sun,
Not within the singeing of the strong sun,
Tall sun's tingeing, or treacherous the tainting of the earth's air.
Somewhere elsewhere there is ah well where! one,
Ońe. Yes I can tell such a key, I do know such a place,
Where whatever's prized and passes of us, everything that's fresh and fast flying of us, seems to us sweet of us and swiftly away with, done away with, undone,
Undone, done with, soon done with, and yet dearly and dangerously sweet
Of us, the wimpled-water-dimpled, not-by-morning-matchèd face,
The flower of beauty, fleece of beauty, too too apt to, ah! to fleet,
Never fleets móre, fastened with the tendered truth
To its own best being and its loveliness of youth: it is an ever-lastingness of, O it is an all youth!
Come then, your ways and airs and looks, locks, maiden gear, gallantry and gaiety and grace,
Winning ways, airs innocent, maiden manners, sweet looks, loose locks, long locks, lovelocks, gaygear, going gallant, girlgrace—
Resign them, sign them, seal them, send them, motion them with breath,
And with sighs soaring, soaring síghs deliver
Them; beauty-in-the-ghost, deliver it, early now, long before death
Give beauty back, beauty, beauty, beauty, back to God, beauty's self and beauty's giver.
See; not a hair is, not an eyelash, not the least lash lost; every hair
Is, hair of the head, numbered.
Nay, what we had lighthanded left in surly the mere mould
Will have waked and have waxed and have walked with the wind what while we slept,
This side, that side hurling a heavyheaded hundredfold
What while we, while we slumbered.
O then, weary then whý should we tread? why are we so haggard at the heart, so care-coiled, care-killed, so fagged, so fashed, so cogged, so cumbered,
When the thing we freely fórfeit is kept with fonder a care,
Fonder a care kept than we could have kept it, kept
Far with fonder a care (and we, we should have lost it) finer, fonder
A care kept.—Where kept? Do but tell us where kept, where.—
Yonder.—What high as that! We follow, now we follow.—Yonder, yes yonder, yonder,
Yonder...
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District Interpretation
07:47
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Fragaria Virginiana
04:50
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So, I walked in the dry sand up to my ankles, white with sand to my middle, my throat rough with sand – unmitigated noon above me, and the sun so high that I had no shadow. I longed for the water of death; for however bitter it was, it must surely be cold, coming from that sunless country. I walked for a hundred years. But at last the desert ended, crags and pinnacles and rotting cliffs that no one could climb. Rocks were loosened and fell from the heights all the time; their booming and clanging as they bounced from one jag to another and the thud when they fell on the sand, were the only sounds there. Looking at the waste of rock, I first thought it empty, and that what flickered over its hot surface was the shadows of clouds. But there were no clouds. Then I saw what it really was. Those mountains were alive with innumerable serpents and scorpions that scuttled and slithered over them continually. The place was a huge torture chamber, but the instruments were all alive! And I knew that the wall I was looking for rose in the very heart of those mountains. “I can never get up” said I.
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Rupert Rainelle
03:43
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TLVS Lynchburg, Virginia
TLVS is currently a three piece that works with other artists from time to time. Their take on “vocal-free rock music” allows for emotional transfer across passages that are at times frenetic & at other times genteel.
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